“Just so everyone is aware, there is a bunch of misleading info being spread around re: ALS research - the “27%” figure is based on previous years’ annual funding; furthermore, the remainder goes to improving the quality of life of those suffering from ALS. Given that the annual funding is approximately 16M, that’s just over 4M spent on decreasing their suffering. It isn’t greed, it’s a lack of money.”
Shut up already.
The ALS Association has a 4-star rating from Charity Watchdog.
And the next time you start to complain about a charity either a) working on multiple fronts (because that’s what ALSA does—both seeking a cure and helping people suffering now) or b) daring to have administration expenses—let’s see how long you can last, much less tackle a cause, without printer paper and an internet connection.
As someone who has watched a family member die from a neuro-degenerative disease; funding to develop better wheelchairs and bedsore creams is *just* as important as funding research to cure the disease itself…
A friend of mine posted an update from one of HER friends to FB earlier. Her dad has ALS. The ALS foundation came out to see if they could put in a ramp for his wheelchair, but they couldn’t afford it because of the kind of ramp he needed for the kind of house they had.
This week they called back and said hey, the thing is, we suddenly have a bunch of money, so we’re coming out to build that ramp. And they did. She posted pics.
So if you feel like bitching about the ice bucket challenge…reconsider.
This commercial is amazing.
I work at an Under Armour store and we got to see this commercial way before they showed it on TV and everyone was speechless except one dude. He was all like “What the hell? Why the fuck would they make a ballet commercial? It’s not a sport.” My boss was quick to jump down his throat and said “Alright then get your ass on the floor and work on you tippy toes for the rest of your shift. If I fucking see you off them you will be the first of the temps to get cut!” He was on his tippy toes for the last hour and a half of his shift lol
(Source: sizvideos, via thisiscloisforever)
"Why is it? Why are we all so tongue-tied and spellbound? Why do we perhaps live three streets off and yet never meet? Where is the intimacy? Where is the warmth? I think human beings are fundamentally crashed by a sense of their insignificance. I am perpetually overwhelmed by realizations of this kind. And nothing matters - nothing I say, feel, or think, truly makes a difference."
James Lopez, a veteran Disney animator (The Lion King, Pocahontas, Paperman), is currently trying to raise money for his traditionally animated project Hullabaloo. Hullabaloo is a steampunk short film which Lopez is hoping will help save the cause of 2D animation, and possibly lead to a TV series or film. So, if you’re interested in badass steampunk ladies or traditional animation, may I recommend you give a dollar or two. Hullabaloo's IndieGogo page is over here, visit to donate and learn more! And I’ll conclude with the plot:
Hullabaloo is the story of Veronica Daring, a brilliant young scientist who returns home from an elite finishing school to find her father—the eccentric inventor Jonathan Daring—missing without a trace! The only clue left behind points Veronica toward Daring Adventures, an abandoned amusement park used by her father to test his fantastical steam-powered inventions. There she discovers a strange girl named Jules, a fellow inventor who agrees to help Veronica in locating her missing father and discovering the secrets of his work.
Together, Veronica and Jules learn that Jonathan Daring has been kidnapped by a mysterious group of influential persons, who seek to use his latest invention for nefarious purposes. These villains are wealthy and influential and neither Veronica nor Jules can stop them openly. But determined to save her father and holding true to the family creed that technology should be used for the good of all, not the greed of some, Veronica assumes the secret identity of “Hullabaloo”, a goggled crusader who uses wits and science to combat evil and oppose the nefarious conspiracy that has taken her father.
"There are so few anti-heroines in literature—genuine anti-heroines, women whose wilfulness and individuality isn’t castigated or punished by the weight of narrative—that the idea of a woman like Sophie still feels revolutionary. In 1953 she doesn’t drive across America, aimlessly sleeping with whoever she comes across and drugging herself into oblivion. She takes her children, and travels alone to live in the shadow of a mountain, embracing its cold clarity and turning down the men who would love and protect her for the pursuit of an ideal."
The “Queen of the Cakewalk”, Aida Overton Walker addressed Black writers/critics’ disregard for and criticism of the acting profession in a December issue of The Freeman. After first addressing the main topic at hand, she proceeded to suggest proactive steps that could prepare up-and-coming black performers for the stage. Below is an excerpt from her article:
"I have stated that we ought to strive to produce great actors and actresses; by this I do not mean that all our men and women who possess talent for the stage should commence the study of Shakespeare’s works. Already, too many of our people wish to master Shakespeare, which is really a ridiculous notion. There are characteristics and natural tendencies in our own people which make as beautiful studies for the stage as any to be found in the make-up of any other race, and perhaps far more. By carefully studying our own graces, we learn to appreciate the noble and the beautiful in ourselves, just as other people have discovered the graces and beauty in themselves from studying and acting that which is noble in them. Unless we learn the lesson of self-appreciating and practice it, we shall spend our lives imitating other people and depreciating ourselves. There is nothing equal to originality, and I think much time is lost in trying to do something that has been done and "overdone," much better than you will be able to do it."
The Freeman (Dec. 28, 1912) - Link
(Source: illkeepyouposted.typepad.com, via vintagegal)
"In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood [sexual] victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology… Freud used this construct to conclude that the episodes of abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for… This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men."
well he really should have worn more protective clothing if he didn’t want that to happen
sounds to me like he was asking for it
Are we really sure he was actually shot and decapitated? Idk, sounds like something he would’ve made up. Guys make false decapitation accusations all the time, you know.
If he didn’t want to be decapitated, he shouldn’t have worn a shirt that showed off his neck
I mean, not all woman decapitate people. I’m not like that.
(Source: suzziepsyche, via cbk1000)
Sometimes body modification is just a way of telling yourself “this is still my house, I paint the walls and and I hang the art because I’m the one who owns it.
(Source: coelasquid, via chazkeats)